Last Tango in Paris: Directed by Bernardo Bertolucci. With Marlon Brando, Maria Schneider, Maria Michi, Giovanna Galletti. A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex. วิธีดูหนังออนไลน์ Last Tango in Paris (1972) รักลวงในปารีส เต็มเรื่อง HD. สามารถดูได้โดยคลิกที่ไอคอน Player รูปสามเหลี่ยมที่อยู่ด้านล่าง และกด.
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Bertolucci begins with a story so simple (which is to say, so stripped of any clutter of plot) that there is little room in it for anything but the emotional crisis of his hero. The events that take place in the everyday world are remote to Paul, whose attention is absorbed by the gradual breaking of his heart. The girl, Jeanne, is not a friend and is hardly even a companion; it's just that because she happens to wander into his life, he uses her as an object of his grief.
The movie begins when Jeanne, who is about to be married, goes apartment-hunting and finds Paul in one of the apartments. It is a big, empty apartment, with a lot of sunlight but curiously little cheer. Paul rapes her, if rape is not too strong a word to describe an act so casually accepted by the girl. He tells her that they will continue to meet there, in the empty apartment, and she agrees.
Why does she agree? From her point of view -- which is not a terribly perceptive one -- why not? One of the several things this movie is about is how one person, who may be uncommitted and indifferent, nevertheless can at a certain moment become of great importance to another. One of the movie's strengths comes from the tragic imbalance between Paul's need and Jeanne's almost unthinking participation in it. Their difference is so great that it creates tremendous dramatic tension; more, indeed, than if both characters were filled with passion.
They do continue to meet, and at Paul's insistence they do not exchange names. What has come together in the apartment is almost an elemental force, not a connection of two beings with identities in society. Still, inevitably, the man and the girl do begin to learn about each other. What began, on the man's part, as totally depersonalized sex develops into a deeper relationship almost to spite him.
We learn about them. He is an American, living in Paris these last several years with a French wife who owned a hotel that is not quite a whorehouse. On the day the movie begins, the wife has committed suicide. We are never quite sure why, although by the time the movie is over we have a few depressing clues.
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